Celestine Donkor: Some gospel musicians use charms and cast spells on colleagues
Speaking to Taller Dee on Accra-based No.1 FM’s Gospel Showbizz, she addressed issues of popularity, genuine ministry work, and the rising desperation among artistes.
When asked whether awards, fame, or true ministry mattered most today, Celestine Donkor insisted that awards are not unbiblical.
“I think awards are biblical because the Bible says whoever is faithful to the end will receive a crown.
That means there is a reward. Any promise from God has an award attached.”
However, she agreed that the criteria and processes for some award schemes sometimes raise doubts.
The host noted that some award winners appear undeserving, giving the impression that awards may be influenced or “bought.”
Celestine confidently responded:
“I am Celestine Donkor.”
She added that despite their imperfections, award schemes still contribute positively to the industry:
“The exposure and recognition matter. For me, winning is not the biggest deal. Sometimes when I’m nominated with other artistes, I sit back and cheer them on.
If someone is truly good, we should admit it.”
Celestine cautioned musicians against becoming too desperate for awards, saying desperation leads people into dangerous actions.
“We are colleagues and kingdom workers. When desperation enters the picture, it introduces diabolic intentions—doing anything by hook or crook to win.”
She stressed that she would never accept an award she didn’t deserve:
“On record, me Celestine Donkor, I will never be proud receiving an award someone deserves more than me.”
“Some Gospel Musicians Use Charms and Place Spells on Others”When the host asked if her comments came from personal experience or just general observation, Celestine revealed something more disturbing.
She said some gospel musicians prioritise fame over ministry and end up engaging in spiritual battles.
“Recently we hear that some gospel musicians are using charms and placing spells on someone just to block their progress or get ahead. These things are driven by desperation—the desire to be the one on top.”
Taller Dee expressed disbelief, saying he didn’t think charms or spiritual manipulation existed among gospel artistes. But Celestine insisted:
“It happens. It is among them. Even I have been a victim—both physically and spiritually.”
Her revelations highlight growing concerns about competition and spiritual manipulation in the gospel music space. Celestine ended by advising musicians to allow merit, sincerity, and hard work to determine who gets recognition.
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